The night kicked off with a snippet of “Lock Me Up,” immediately plunging the crowd into Cooper’s dark carnival. “Welcome to the Show” followed, setting the tone for a journey through his expansive catalog. Classics like “No More Mr. Nice Guy,” “I’m Eighteen,” and “Under My Wheels” were met with roaring approval, each delivered with a precision that showcased the tightness of Cooper’s seasoned band.
The setlist was a well-balanced mix of hits and deep cuts. “Bed of Nails” and “Billion Dollar Babies” brought a gritty edge, while “Snakebite” and “Be My Lover” added a sleazy swagger. “Lost in America” and “He’s Back (The Man Behind the Mask)” offered a nod to the more theatrical elements of Cooper’s repertoire, complete with eerie lighting and dramatic staging.
Midway through the show, drummer Glen Sobel delivered a thunderous solo that transitioned seamlessly into “Welcome to My Nightmare,” a haunting performance that showcased Cooper’s flair for the macabre. “Cold Ethyl” and “Go to Hell” maintained the dark atmosphere, leading into the anthemic “Poison,” which had the entire venue singing along.
A pre-recorded Vincent Price intro heralded the next segment, adding a classic horror touch that segued into guitarist Nita Strauss’s electrifying solo. Her virtuosity was on full display, leading into the instrumental “Black Widow Jam,” where the band’s cohesion and energy were undeniable.
Next came the “Ballad of Dwight Fry,” where Cooper, in a straitjacket, delivered a chilling performance that blurred the line between theater and concert. This intensity carried through “Killer” and “I Love the Dead,” culminating in the raucous “School’s Out,” which transformed the venue into a jubilant celebration, complete with confetti and giant balloons.
For the encore, “Feed My Frankenstein” brought the spectacle to its peak. A towering Frankenstein monster joined the stage, dancing with the band, embodying the over-the-top theatrics that have become Cooper’s trademark.
Throughout the evening, Cooper’s band delivered a performance that was both tight and dynamic. Strauss’s guitar work was particularly noteworthy, blending technical prowess with showmanship.
As the final notes echoed through Ovation Hall, it was clear that Alice Cooper had once again proven why he remains a vital force in rock music. His ability to blend horror, humor, and hard rock into a cohesive and entertaining package is unmatched, leaving the audience both thrilled and thoroughly entertained.
Alice Cooper
