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Evanescence’s ‘Bring Me to Life’ has been certified Diamond by the RIAA.

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For the first time since experiencing a stroke, Jello Biafra takes the stage to perform

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’abcdefu’ singer GAYLE is back with a fresh tune titled ‘junebug!’. An announcement has been made regarding a new album.

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Music News

Jim Adkins from Jimmy Eat World has provided an update on potential new music, stating that there are ‘certainly initial stages’ in progress.

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My Chemical Romance has introduced an official MCRmy fan community.

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What’s happening

Evanescence has officially crossed one of the rarest commercial thresholds in music history. The band’s monumental 2003 breakout anthem "Bring Me to Life" has been awarded a massive 11x platinum certification by the RIAA, officially vaulting the track past the coveted Diamond mark (10 million units).

The new certification, handed down on Thursday, June 25th, represents a colossal leap for the track. "Bring Me to Life" was last audited by the RIAA back in April 2019, when it sat at 3x platinum status. Thanks to sustained digital downloads and an absolute juggernaut presence on streaming platforms—including officially joining Spotify's exclusive "1 Billion Streams Club" in January 2024—the track's modern equivalent units have skyrocketed over the last seven years.

This milestone marks the second official Diamond certification for Amy Lee and company. Their legendary debut studio album, Fallen, which featured "Bring Me to Life" as its explosive lead single, originally achieved Diamond status back in November 2022.

While the track remains a flawless staple of 2000s alternative rock culture, its history is famously complicated. The distinct, rap-laced guest vocals delivered by 12 Stones frontman Paul McCoy became a defining characteristic of the radio edit, but Amy Lee has candidly revealed over the years that the male vocals were never part of the band's original creative vision. Instead, the addition was a direct mandate from record label executives who feared a rock track fronted solely by a woman wouldn't get played on alternative radio. More than two decades later, the song's enduring legacy has completely vindicated the band's timeless songwriting.

Does "Bring Me to Life" still give you chills when that massive chorus hits, or do you prefer diving into some of the deeper cuts across the Fallen tracklist?

#Evanescence #AmyLee #BringMeToLife #Fallen #RIAADiamond #MultiPlatinum #PaulMcCoy #AlternativeRock #GothicMetal #NuMetal #RockNews2026

Today, June 30th, the metal community raises a collective fist to wish a very happy birthday to one of the most commanding and influential frontmen in heavy music history: Philip H. Anselmo.

Turning 58 today, the New Orleans native fundamentally reshaped the landscape of aggressive music when he joined Pantera in the late 1980s. His ferocious vocal delivery, unmistakable southern swagger, and raw lyrical intensity helped propel the band to multi-platinum status, defining the groove-metal genre through landmark albums like Cowboys from Hell, Vulgar Display of Power, and the historic Billboard No. 1 record Far Beyond Driven.

Beyond his definitive work with Pantera, Anselmo has spent decades as a restless creative force, leaving a massive footprint across the underground metal and hardcore scenes. From the heavy, sludge-drenched riffs of southern rock supergroup Down to the extreme aggression of Superjoint Ritual and his various solo ventures, his uncompromising artistic drive has continuously pushed boundaries. Whether throwing down classic, floor-shaking grooves or championing obscure underground metal acts, his dedication to the genre remains undeniable.

Throw on your favorite Pantera or Down record today to blast it in honor of the legendary vocalist's birthday.

What is your absolute favorite Phil Anselmo vocal performance or definitive track from his massive discography?

#PhilAnselmo #Pantera #DownBand #CowboysFromHell #VulgarDisplayOfPower #FarBeyond Driven #GrooveMetal #HeavyMetal #SludgeMetal #RockBirthdays #RockNews2026

Three Days Grace frontman Adam Gontier has opened up about his highly anticipated 2024 return to the Canadian rock outfit, describing the transition back into the lineup as completely natural. Speaking with Poland's Pełna Kulturka, the 48-year-old vocalist—who left the band in 2013—revealed that stepping onto the stage alongside co-vocalist Matt Walst required very little adjustment.

Gontier credited the effortless transition to the foundational bonds the band members forged growing up together in the same small town in Canada. Rather than a calculated business move, Gontier emphasized that the current dual-frontman era is anchored entirely in mutual camaraderie:

"It really wasn't that challenging. We had been a band for so many years before... it was like I took about 10 years off and then came back and it was pretty seamless. It wasn't very hard. It's kind of like riding a bike — you just get back into it again, even if you haven't done it in a while."

Reflecting on his decade away from the group, Gontier noted that time, maturity, and fatherhood helped everyone shift their perspectives, making previous disagreements irrelevant. That renewed synergy carried directly into the creative sandbox for Three Days Grace's latest studio album, Alienation, which dropped last August via RCA Records. Gontier revealed that the writing process remained largely unchanged from their early days, with the band members convening at guitarist Barry Stock’s home in Indiana to hammer out the tracks together on acoustic guitars.

The band officially marked Gontier's first full live performance with the group in 12 years on February 25th, 2025, serving as the direct support act for Disturbed's massive The Sickness anniversary tour kickoff in Nampa, Idaho.

How do you feel about the dual-vocalist dynamic with both Adam and Matt leading Three Days Grace, and what is your favorite track off Alienation so far?

#ThreeDaysGrace #AdamGontier #MattWalst #AlienationAlbum #BradWalst #BarryStock #NeilSanderson #RCARecords #RockNews2026

Academy Award winner Javier Bardem has revealed the secret behind his terrifyingly intense portrayal of Max Cady in the new Apple TV+ series adaptation of Cape Fear—and it involves a heavy dose of alternative metal. Speaking with Kerrang!, the actor detailed the specific heavy rock and metal artists he utilized to lock into the headspace of the iconic, vengeful antagonist.

Bardem explicitly highlighted Linkin Park, Slipknot, Bad Omens, and Falling in Reverse as the sonic foundations for his character prep. For Linkin Park, he noted that two specific tracks across the band's eras became essential to capturing Cady's inner turmoil:

“I listened to five songs especially. Two from Linkin Park: ‘Given Up,‘ with the great Chester [Bennington], and ‘Up From the Bottom‘ from the last album, From Zero. I think [Emily Armstrong] is an amazing singer. She really brought it back. Those two songs really express frustration and the fight for raising up from [one’s] own ashes that [resonates] with Max."

While Bardem admitted he struggles with individual song titles, he noted that tracks by Slipknot, Bad Omens, and Falling in Reverse lived in his head all day long on set to anchor his mood before the cameras started rolling. A notoriously passionate heavy music enthusiast, the actor confessed that metal isn't just a character exercise for him—it's his baseline lifestyle, noting that he even listens to Slipknot to fall asleep. "The older I get, the more I like it, and the less I like the other options," Bardem added. "The thing that makes my heart beat is metal."

The 10-episode psychological thriller series, based on the 1957 novel The Executioners and its classic 1962 and 1991 cinematic adaptations, made its streaming debut on June 5th. It is currently hitting the midway point of its run, with the series finale scheduled to drop on July 31st.

Can you hear the chaotic, aggressive influence of bands like Slipknot and Linkin Park coming through in Bardem's performance on screen?

#JavierBardem #CapeFear #LinkinPark #Slipknot #BadOmens #FallingInReverse #ChesterBennington #EmilyArmstrong #FromZero #AppleTV #Metalhead #RockNews2026

Noah Kahan has officially taken drastic, hilarious action to ensure his fans remain on their best behavior on the road. During his concert last night at Rogers Stadium in Toronto, the singer actually paused the show to address the crowd with an official, legally binding verbal contract regarding basic bathroom hygiene.

Acknowledging that the conversation was "awkward and fresh in more ways than one," Kahan told the stadium crowd that upon entering the building, they entered a fundamental social contract. He announced that "Rule No. 2, besides don't literally fucking kill each other, is don't shit on the floor." He then commanded the thousands of fans in attendance to repeat a formal pledge back to him verbatim:

“I solemnly swear I will not shit my pants, and if I do, I won’t take it from my pants and put it on the floor.”

The tongue-in-cheek arena vow follows a widely discussed and thoroughly gross incident that went viral on Friday night during the opening date of Kahan's North American stadium leg at Philly's Citizens Bank Park. On that night, an attendee in Floor Section AA allegedly refused to leave their spot and miss a few songs, choosing instead to relieve themselves directly on the stadium floor.

Kahan had initially tried to handle the situation via a plea on social media, reminding concertgoers that underpaid venue workers shouldn't be left with a "1000-yard stare." Realizing a basic tweet wasn't enough to curb the trend, the singer decided to use his nightly platform to guarantee that the floor remains strictly for dancing.

Are you glad to see Noah setting some hard operational boundaries for crowd etiquette, or are you just stunned that a stadium pop show requires an actual bathroom pledge?

📸 IG @noahkahanmusic @patrick.mccormack

#NoahKahan #TheGreatDivideTour #RogersStadium #Toronto #CitizensBankPark #Philly #LiveMusic #ConcertEtiquette #StickSeason #TrendingNews #RockNews2026

Unreleased promotional material for country-rocker Aaron Lewis has taken a bizarre detour ahead of his album drop, turning up as literal garbage stuffing inside Taylor Swift merchandise shipments.

The odd crossover came to light when TikTok creator Christa Jo posted a viral unboxing video of her physical CD orders for Swift’s new single "I Knew It, I Knew You" (featured on the Toy Story 5 soundtrack). While digging through the protective recycled packing material, the fan pulled out a complete, albeit heavily shredded, music lyric book for Lewis’ upcoming album. Despite the damage, the imagery of the Staind frontman transposed over an American flag was completely unmistakable.

Lewis caught wind of the packing mishap and addressed it directly on social media, writing, "Oh look, there’s my new album, that hasn’t even been released yet, shredded as packaging paper in Taylor Swift merch. Ain’t that some shit." In a subsequent interview with USA Today, Lewis—who openly admits he doesn't use social media and has never even had a MySpace—confessed he found the entire situation completely baffling:

"I don't know how this happened. I hate to think it's malicious, but at the same time, I don't know that it's not."

Ironically, the blunder highlights a shared history between the two seemingly polar-opposite artists. Lewis is scheduled to release Give My Country Back on July 17th via Big Machine Label Group—the exact same record label that originally signed a teenage Taylor Swift as its flagship artist and launched her first six studio albums. Lewis has previously commended label boss Scott Borchetta for defending his right to free expression, even when they clash politically on Lewis' defiantly pro-MAGA country anthems.

Neither Big Machine nor Swift's camp have issued an official statement on how the unreleased booklets wound up in the industrial shredder.

Do you think this was just an innocent oversight at a shared printing facility, or is there a bit of music industry trolling at play?

#AaronLewis #TaylorSwift #GiveMyCountryBack #IKnewItIKnewYou #ToyStory5 #BigMachineRecords #Staind #CountryMusic #MusicNews2026

Limp Bizkit gave their diehard European fan base a major setlist shock this past week, digging deep into their catalog to deliver a long-awaited live rarity. During their June 24th concert at the Parkbühne Wuhlheide in Berlin, Germany, the nu-metal icons unexpectedly launched into "Stuck," a fierce fan-favorite from their 2x platinum 1997 debut album, Three Dollar Bill, Y’all.

The performance didn't happen without a bit of hesitation from frontman Fred Durst. Shortly after starting the heavy track, Durst actually paused the band to directly ask the Berlin audience if the song was simply too old for them to be playing. However, the crowd answered with a massive wave of cheers and roars, encouraging Durst and the rest of the band to completely restart the song and blast through its first full live performance since 2014.

The surprise live bust-out comes as Limp Bizkit rides an unprecedented modern wave of global momentum. Guitarist Wes Borland recently commented on the band's staggering resurgence on the touring circuit, admitting that it feels like they are "the biggest we’ve ever been right now." With plenty of summer tour dates left on the horizon, fans across the globe will be keeping a close eye on the setlists to see if "Stuck" or other early classics continue to make appearances.

What classic, deep-cut track from Three Dollar Bill, Y'all are you hoping Fred and the band dust off next on this tour?

#LimpBizkit #FredDurst #WesBorland #Stuck #ThreeDollarBillYall #Berlin #ParkbuhneWuhlheide #NuMetal #LiveMusic #SetlistSurprise #RockNews2026

Baltimore hardcore outfit End It has officially returned to the stage, seemingly bringing a peaceful resolution to their highly publicized war against costume-clad concertgoers. During the band's June 27th set at the Jera On Air festival in Ysselsteyn, Netherlands, vocalist Akil Godsey was spotted hugging a fan dressed in a full banana suit. Godsey later reshared the photos on his Instagram story, lightheartedly captioning the moment, “The great Banana Treaty of Ysselsteyn.”

The sudden onstage truce comes after weeks of internet scrutiny and industry fallout stemming from the band's June 5th performance in Toronto, Ontario. During that set, Godsey infamously placed a bounty on a concertgoer wearing a banana costume, offering up the band’s physical setlist to anyone who could successfully tear the outfit apart. Proclaiming that the fan "wanted the attention, and now he has it," Godsey watched as members of the crowd aggressively ripped the suit to shreds. The incident sparked intense discourse within the scene regarding concert safety and artists inciting crowd violence over harmless crowd attire.

In the weeks of silence that followed, older footage resurfaced showing End It routinely targeting costumed fans. Meanwhile, the Toronto banana man clarified online that he was simply a fan of headliners Terror, was unfamiliar with End It's strict anti-costume stance, and frequently wears the suit to various shows just for fun. The backlash seemingly carried real professional consequences for the Baltimore band; they were reportedly dropped at the last minute from a highly anticipated fall tour package featuring Hatebreed and Life Of Agony, and their official Facebook page quietly vanished.

When Godsey finally addressed the situation in a video statement last week, he initially doubled down on the behavior, dismissively stating, “We’re a hardcore band, we do hardcore things.” However, kicking off their current European festival run, the band appears ready to move past the drama—one banana hug at a time.

Do you think the "Banana Treaty" is a genuine apology to the scene, or is it just a clever PR move to smooth things over after losing a major tour slot?

#EndIt #Ak…

In a new appearance on the Mark And Me podcast, Halestorm frontwoman Lzzy Hale opened up about the mental and physical shift required to take the stage every night, describing her pre-show nerves as a "beautiful panic." Hale revealed that when she or her bandmates aren't fully "feeling it" before a concert, they resort to high-energy tricks like running in place and yelling backstage to amp themselves up.

Hale, who labels herself a "reformed introvert," explained that about 15 minutes before showtime, an internal countdown begins where she can no longer sit still. She equates the rush to preparing to jump out of an airplane, which has sparked a nightly running joke with her bass player checking to see if he "packed her parachute."

A massive driver of that adrenaline is Halestorm's strict commitment to playing 100% live without backing tracks or click tracks. While Hale notes she isn't against other artists using playback rigs, she feels utilizing them would make her own shows feel too rigid, like a music video shoot. Guitarist Joe Hottinger echoed this sentiment, stating that rock and roll is supposed to be "a little dangerous" and that the band embraces making mistakes on stage. Drummer Arejay Hale also previously pointed out that while performing without a safety net is an uphill battle that requires immense focus and training, it allows the musicians to let the songs breathe and react directly to the crowd's energy.

This unfiltered, organic approach heavily anchored the band's latest musical chapter. Halestorm's sixth studio album, Everest, was released last August via Atlantic Records, featuring production work by Dave Cobb.

Do you prefer the raw, unpredictable energy of a completely live rock show where anything can happen, or do you think backing tracks have a valid place in modern touring?

#Halestorm #LzzyHale #JoeHottinger #ArejayHale #EverestAlbum #DaveCobb #AtlanticRecords #LiveMusic #RockNews2026

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