Consisting of previously unissued tracks from 1993, the much-anticipated new Johnny Cash collection, Songwriter, is out now through Mercury Nashville/UMe.
The aptly titled Songwriter features songs written solely by Johnny Cash, one of America’s greatest songwriters and storytellers. Returning the focus to Johnny’s own songwriting, the 11-track collection showcases the breadth of his writing, one that has always represented the great expanse of the human condition: there are songs of love, family, sorrow, beauty, spiritual salvation, survival, redemption, and of course, some of the lighthearted humor Johnny was known for, all sung in his unmistakable, trademark, resonant voice.
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Songwriter will be available to stream and download, as well as on CD and a variety of vinyl options, including standard black and several limited edition color variants.
The new record’s roots can be traced back to early 1993, when the legendary Johnny Cash found himself between contracts in his then nearly 40-year career and recorded an album’s worth of songwriting demos at LSI Studios in Nashville of songs he’d written over many years. LSI at the time was owned by his son-in-law Mike Daniels and daughter Rosey, and he wanted to help the family financially while also record some songs special to him. Not long after the fruitful session, Johnny met producer Rick Rubin, and the recordings were shelved as the two embarked on an important and prolific musical partnership that revitalized the Man in Black’s career that would last the rest of his life.
Some thirty years later, John Carter Cash, the son of Johnny and June Carter Cash, rediscovered the songs and stripped them back to just Johnny’s powerful, pristine vocals and acoustic guitar. Along with co-producer David “Fergie” Ferguson, the two invited a handpicked group of musicians that played with Johnny, including guitarist Marty Stuart and the late bassist Dave Roe, along with drummer Pete Abbott and several others, to the Cash Cabin, a hallowed space in Hendersonville, Tennessee, where Johnny would write, record and relax, to breathe new life into the tracks, taking the sound back to the roots and heart of the songs.
“Dad’s advice with anything, whether it was life or making music, was always ‘follow your heart,” said John Carter. And it is this truism of his father’s that let guide him every step of the way when making Songwriter. After stripping the original recordings back to just Johnny’s vocals and guitar, he reached out to Fergie, a longtime friend and Johnny’s go-to engineer for nearly thirty years, and the two set off to create an album that would honor and amplify Johnny’s songwriting and timeless voice, while staying true to the spirit of the recordings.
Along with John Carter, Fergie is arguably one of the people that knew best what Johnny liked when it came to recording as they worked together beginning in the early 1980s when he was Cowboy Jack Clement’s in-house engineer where Johnny often liked to record. He would go on to work with him on many records, including most of his Mercury albums and the acclaimed American Recordings series with Rick Rubin, even recording his last-ever songs in his final days in 2003. “He was always my hero and I just felt like the luckiest guy in the world to get to record him,” said Fergie.
Songwriter also features a stellar cast of supporting musicians, including guitarist Marty Stuart, who played with Johnny in his backing band The Tennessee Three from 1980-86, and the late, great upright bassist Dave Roe, who toured in Johnny’s band, beginning in the early ‘90s and lasting nearly a decade.
Drummer Pete Abbott, of Average White Band fame, among many other bands and accolades, was brought in to complete the trio who both recorded together and separately at the Cash Cabin, the sanctuary and studio space that Johnny built on his property in 1979 and where John Carter continues to record. Several other of Nashville’s best, such as Ana Cristina Cash (background vocals), Matt Combs (acoustic guitar, mandolin, strings), Mike Rojas (B3 organ, piano), Russ Pahl (acoustic & electric guitar, bass, dobro, steel) and Sam Bacco (congas, percussion) were enlisted to round out the core band for the majority of the album, while others like session great and Grand Ole Opry guitarist, Kerry Marx, and vocalist Harry Stinson guested on select songs. “All those guys are the best, just cream of the crop,” said Fergie.
“I think this record is the way I would have liked to have made one if I would have ever been in charge of one, before Rick Rubin or after Jack Clement,” said Fergie. “I’ve known John Carter since he was a boy, so it was great to finally work with him. He gave me a lot of leeway, especially in terms of grooves and things. We went right along the same page. There wasn’t ever a conversation or plan about an end product, it was just let’s do the best we can do.”
Songwriter features a slew of fantastic tracks. The opening “Hello Out There,” is a prescient song that sounds like Johnny reaching out from the beyond concerned about mankind and the state of the world. “I Love You Tonite” is a love letter to his beloved wife June Carter Cash while “Poor Valley Girl” is about both June and her mother, country pioneer, Maybelle Carter, likely written in the wake of her passing in 1978. “Drive On” was inspired by the chronic pain he suffered from due to a broken jaw in the early ‘90s and is about the hardships that were endured by veterans in the Vietnam War.
Other tracks like the reverential “Have You Been to Little Rock?” sees Johnny expressing pride for his homeland over a beautiful, traditional melody, while “She Sang Sweet Baby James,” is a tender song about a young single mother singing James Taylor’s “Sweet Baby James” to comfort her baby. Johnny was a fan of Taylor’s ever since he performed on the first season of “The Johnny Cash Show” in 1971. Johnny revisits a lesser-known gem of his with “Sing It Pretty Sue,” originally released in 1962 on The Sound of Johnny Cash.
As for what Johnny Cash himself might think about Songwriter, “I would think Johnny would say what he said about every record that I worked on with him, every record I think he ever made, when he got to the end of it, he always said, “I think it’s the best record I’ve ever made,” said Fergie. “You could count on that. I could just hear him say that. I think he’d be really proud of it.”